In this exuberant compilation, Michael Rosen invites children to joyfully celebrate sounds and the infinite possibilities of language. Nonsense verses with the feel of classic nursery rhymes tickle the ear and set feet tapping while expressive illustrations by Chris Riddell illuminate the larger-than-life characters. With subject matter that runs the gamut of a child’s emotional range from hungry and angry to wiggly and giggly, these thirty-six clever poems will delight little listeners.
NOT POEMS, JUST WORDS is an homage to the romantic odes of Pablo Neruda, Walt Whitman, John Keats, e. e. cummings, Robert Frost and W. H. Auden.
Who could forget Keats’ soliloquy to the vividness of life in ‘A Thing of Beauty (Endymion)’ and how he espoused the virtue of looking at the real and simple quality of daffodils? Or Whitman’s masterpiece on the internal universe of the soul in ‘Leaves of Grass’? Or how Auden had so thoughtfully placed us sitting low on a church pew, dabbing at our eyes, as the voice of a pained heart calls for someone to ‘stop all the clocks, cut off the telephone’ in ‘Funeral Blues’? Do we remember? Or do we choose to forget?
This collection of words, not necessarily within the boundaries of traditional poems, is just that: a bundle of words that perform the song and dance of modern poetry. It’s a bag full of words that I use and feel and speak of and touch others with every day.
Because I choose to remember. — Ramon Loyola, 2014
- : Ramon Loyola
- : MoshPit Publishing
- : 02/24/2014
- : 0992449855
- : B00IOE8N8K
- : email@example.com
obust poetry from one of contemporary Christianity’s greatest wordsmiths
Throughout his many years of pastoral ministry, almost everything Eugene Peterson has done — preaching, teaching, praying, counseling, writing — has involved words. To keep himself attuned to the power of words and to help himself use language with precision and imagination, Peterson both reads and writes poetry.
Holy Luck presents, in one luminous volume, seventy poems by Peterson, most of them not previously published. Speaking to various aspects of “Kingdom of God” living, these poems are arranged in three sets:
Holy Luck — poems arising out of the Beatitudes
The Rustling Grass — poems opening up invisible Kingdom realities through particular created things
Smooth Stones — occasional poems about discovering significance in every detail encountered while following Jesus
Echoing the language of Peterson’s popular Bible translation, The Message, the poems in Holy Luck are well suited for devotional purposes. An ideal gift item, this volume is one that readers will look to again and again.
- : Eugene H. Peterson
- : Eerdmans
- : 10/10/2013
- : 0802870996
- : firstname.lastname@example.org
A whimsical collection of children’s poems by a beloved author
This delightful collection of poems offers children and the young at heart a refreshing, inventive look at the world from the well-known Dutch author, Annie Schmidt. The rollicking poems tell the stories of such intriguing characters as three elderly otters who long to go boating but find themselves biking instead, animated furniture that comes to life when no one is home, and Aunt Sue and Uncle Steve who nest up in a tree!
The poems in A Pond Full of Ink transform ordinary events and places into extraordinary adventures full of imagination, much like the work of Shel Silverstein or Jack Prelutsky. Accompanying the poems is bold and expressive artwork that makes this book too charming to resist.
- : Annie M. G. Schmidt
- : Eerdmans Books for Young Readers
- : 03/07/2014
- : 0802854338
- : email@example.com
This rich and intricate collection of poems chronicles the various experiences of American slaves. Drawn together through imagery drawn from quilting and fiber arts, each poem is spoken from a different perspective: a house slave, a mother losing her daughter to the auction block, a blacksmith, a slave fleeing on the Underground Railroad.
This moving and eloquent set of poems, brought to life by vivid and colorful artwork from Michele Wood, offers a timeless witness to the hardship endured by America’s slaves. Each poem is supplemented by a historical note.
- : Cynthia Grady (illustrated by Michele Wood)
- : Eerdmans Books for Young Readers
- : 01/01/2012
- : 0802853862
- : firstname.lastname@example.org
Anyone who watches silent movies will notice how often crashes occur—trains, cars, and people constantly collide and drama or comedy ensues. Gregory Robinson’s All Movies Love the Moon is also a collision, a theater where prose, poetry, images, and history meet in an orchestrated accident. The result is a film textbook gone awry, a collection of linked prose poems and images tracing silent cinema’s relationship with words—the bygone age of title cards. The reel begins with early experiments in storytelling, such as Méliès’ A Trip to the Moon and Edison’s The European Rest Cure, and ends with the full-length features that contested the transition to talkies. Of course, anyone seeking an accurate account of silent movies will not find it here. Through Robinson’s captivating anecdotes, imaginings, and original artwork, the beauty of silent movies persists and expands. Like the lovely grainy films of the 1910s and 20s, All Movies Love the Moon uses forgotten stills, projected text, and hazy frames to bring an old era into new focus. Here, movies that are lost or fading serve as points of origin, places to begin.
- : Gregory Robinson
- : Rose Metal Press
- : 03/18/2014
- : 0988764555
- : email@example.com
In her debut collection of verse and prose, Moïse moves deftly between memories of growing up as a Haitian immigrant in the suburbs of Boston, to bearing witness to brutality and catastrophe, to intellectual, playful explorations of pop culture enigmas like Michael Jackson and Jean-Michel Basquiat. Be it the presence of a skinhead on the subway, a newspaper account of unthinkable atrocity, or the ‘noose loosened to necklace’ of desire, the cut of Haiti Glass lays bare a world of resistance and survival, mourning and lust, need and process, triumph and prayer.
“Haiti Glass is a magnificent collection of poetry and prose. Part mantra, part lamentation, part prayer, this incredible book puts us wholly in the presence of an extraordinary and brave talent, whose voice will linger in your heart and mind long after you read the last word of this book.”—Edwidge Danticat
- : Lenelle Moïse
- : City Lights
- : 03/10/2014
- : 0-87286-614-9
In eleven original, surprising and deliciously dark stories, Victoria Redel moves effortlessly between men’s and women’s perspectives in stories that explore marriage, divorce and parenthood. A newly divorced mother stumbles her way back into single life. A young man and his girlfriend clean out his dead mother’s overstuffed home. A woman struggles to hide her affair from a doting husband and inquisitive daughter. A man descends into a drug-fueled dream as he imagines losing his pregnant wife to a historical, nineteenth century figure. Redel indelibly captures the ways we love, the ways we yearn and the ways we sabotage each. Throughout the collection, children struggle to make sense of the adult world’s uncertainties as husbands and wives, mothers and fathers, find themselves pressed up against their own limits, “the exaltations and treasons of one’s own mothy heart.” Redel has again done what Grace Paley said of Redel’s first collection, “Only a poet could have written this prose. Only a storyteller could keep a reader turning these pages so greedily.”
- : Victoria Redel
- : Four Way
- : October 1, 2013
- : 1935536370
- : 978-1935536376
- : B00IJND5XY
From toy guns to weed-covered bunkers, this series of prose poems examine the ways the franchises of war pervade our quotidian lives and the complicity that the speaker, her family, and her suburban hometown endure but also share in the propagation of violence.
- : Lorene Delany-Ullman
- : Firewheel Editions
- : December 10, 2012
- : 0982895755
- : 978-0982895757
Hannah Kate is a North Manchester-based poet, author and editor. Her work has appeared in a number of local and national magazines, as well as an anthology published by Crocus Books. She is a freelance teacher of English, Maths and Creative Writing, and reviews genre fiction and academic writing for a number of organizations. This is her first full-length collection of poetry.
The Adrenaline. The Excitement. The Determination to Obtain the Unattainable. The Unwavering Spirit to Persevere. No Limits. The Willpower to Retain Your Commitment. The Achievement that Follows. Persistence. Writing is the Unthinkable. Words – Epic Poems of a Poetess… A Collection of Poems by Lady Melanie Ann Marie Elizabeth Greenwood.
“Remarkable . . . a triumph . . . connects us at the level of our humanity, no matter where we may be from.”—Los Angeles Times
The countries that stretch along the broad horizons of the Middle East—from Morocco to Iran, from Turkey to Pakistan—boast different cultures, different languages, and different religions. Yet the literary landscape of this dynamic part of the world has been bound together not by borders and nationalities, but by a common experience of Western imperialism. Keenly aware of the collected scars left by a legacy of colonial rule, the acclaimed writer Reza Aslan, with a team of four regional editors and seventy-seven translators, cogently demonstrates with Tablet and Pen how literature can, in fact, be used to form identity and serve as an extraordinary chronicle of the disrupted histories of the region.
Acting with Words Without Borders, which fosters international exchange through translation and publication of the world’s finest literature, Aslan has purposefully situated this volume in the twentieth century, beyond the familiar confines of the Ottoman past, believing that the writers who have emerged in the last hundred years have not received their full due. This monumental collection, therefore, of nearly two hundred pieces, including short stories, novels, memoirs, essays and works of drama—many of them presented in English for the first time—features translated works from Arabic, Persian, Urdu, and Turkish. Organized chronologically, the volume spans a century of literature—from the famed Arab poet Khalil Gibran to the Nobel laureates Naguib Mahfouz and Orhan Pamuk, from the great Syrian-Lebanese poet Adonis to the grand dame of Urdu fiction, Ismat Chughtai—connected by the extraordinarily rich tradition of resplendent cultures that have been all too often ignored by the Western canon.
By shifting America’s perception of the Middle Eastern world away from religion and politics, Tablet and Pen evokes the splendors of a region through the voices of its writers and poets, whose literature tells an urgent and liberating story. With a wealth of contextual information that places the writing within the historical, political, and cultural breadth of the region, Tablet & Pen is transcendent, a book to be devoured as a single sustained narrative, from the first page to the last. Creating a vital bridge between two estranged cultures, “this is that rare anthology: cohesive, affecting, and informing” (Publishers Weekly).
Includes the writings of Kahlil Gibran, Tawfiq al-Hakim, Nâzim Hikmet, Ismat Chughtai, Muhammad Iqbal, Faiz Ahmed Faiz, Forugh Farrokhzad, Ahmet Hamdi Tanpınar, Yaşar Kemal, Ghassan Kanafani, Mahmoud Darwish, Adonis, Ahmad Shamloo, Naguib Mahfouz, Orhan Pamuk, and more.
Award-winning poet Jill Alexander Essbaum takes her reader on a three-day journey through death and grief. Filled with her trademark sensuality and humor, here Essbaum also addresses issues of faith, fiercely questioning God while also trusting in the promise of resurrection.
Collaboration between poet Kathryn Regina and animator Greg Lytle.
“From the Shadows” is a collection of dark poetry.
Dark poet E.J. Stevens is the author of the haunting new release From the Shadows. She is currently working on her second book Gears, Steam & Absinthe Daydreams.